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When Sting announced that he was writing a memoir, like most people we thought that the book would focus on the life of Sting the rock star and of Sting the celebrity. After all, he has sold close to 100 million albums around the world, fronted the most successful band of the early '80s, subsequently pursued a solo career that has outstripped the success of his Police days in album sales, has been a long-time supporter of good causes raising some $18 million for the Rainforest Foundation, and is generally recognised as one of the most famous people on the planet. It was a no-brainer.

Except that Sting is a self confessed risk taker.

So perhaps we should not be too surprised that his memoir, 'Broken Music', is a product of that risk taking. Instead of opting for the easy route and focusing on the years of fame and success that would have guaranteed wide publicity and huge sales, Sting decided to tell us a much more interesting story. 'Broken Music' is the story of a boy growing to adulthood in an industrial city in northern England; of his relationship with his parents; of first love, lost love, his love of music and where these experiences eventually took him.

As with most individuals, certain events from his childhood are not happy memories for Sting. The separation from his friends as a result of passing the "11-plus" exam that sent him to grammar school and the regular canings at school for trivial offences for example are still resented to this day. Like many families at that time, open displays of affection were uncommon in the Sumner household, and Sting is very open and honest in describing both the relationship between his parents and his relationships with each of them.

Sting had discovered music at an early age through the family's piano and his parent's record collection and later with a battered old guitar donated by an emigrating uncle. His mid-teens saw him learning guitar licks from records, playing music with his friends at the local YMCA and attending Newcastle's Club a Go-Go, where he witnessed influential appearances by the likes of the Graham Bond Organisation, John Mayall's Bluesbreakers and Jimi Hendrix.

'Broken Music' tells a fascinating tale about Sting's involvement with his early bands, Earthrise, The Phoenix Jazzmen, The Newcastle Big Band and Last Exit and of his time on a cruise ship with the Ronnie Pearson Trio. Relatively little has been known about this period, and to read it in Sting's own words is a real pleasure. The trials and tribulations of Last Exit - including their Spinal Tap propensity for losing guitar players in bizarre circumstances (to local pantomimes) - make fascinating reading, and fans of The Police will love the unique insight into the chance meetings that led to the formation of the band, and of the pivotal moments in the band's early days.

'Broken Music' (the title actually comes from a phrase his grandmother used to describe his early attempts at playing the piano) is a wonderful written memoir. In turns it is sad, wry, often very funny and always interesting. In retrospect it is no great surprise to find that someone with the ability to write lyrics as beautifully as Sting should be able to write so eloquently and descriptively in a longer form such as this. We found our attention gripped throughout its 300 plus pages and are firmly of the view that the risk of telling the story of Sting 'the man' rather than Sting 'the celebrity' was certainly one that paid off. It is a book that provides a genuinely insightful look at the events that shaped the person we hear on the radio and see performing for us on stage. If this is what Sting intended then 'Broken Music' is a complete

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